2014-09-15

More light installations! A great one at Psirri.

Following my previous post on the Merchants' Arcade light installation, here is another work sample of the "BeforeLight" group, this time in collaboration with the "Imagine the City" group. I find this one to be much more successful, from a planning / effectiveness point of view, and even more stunning, both visually and as a concept.

Light installation at Pittaki St., Psirri neighbourhood, Athens, Greece

It is located in Psirri neighborhood. Psirri was Athens' major entertainment hub in the 1990's / early 2000s. It took a downward trajectory at the end of that decade due to some safety problems, but has since made a relative comeback. It's no longer "the place to be", but it's an interesting area to go out for a calm, easy-going night out, such as a dinner or a drink, and it's very close (i.e. a few minutes walk) to Monastiraki and Thission which are more popular with locals and tourists these days.

Pittaki St., Psiri neighbourhood, Athens, Greece

This installation has been around since the summer of 2013. A number of old, used, lighting fixtures were hang on top of a narrow, dark alley, that nonetheless was fairly central, connecting the main Ermou St. with the inner part of Psirri. A new street was essentially born this way; one that had been hanging around dark and silent, like a Zombie, now brought to life in a most beautiful way.


Light installation at Pittaki St., Psiri neighborhood, Athens, Greece

 
Light installation at Pittaki St., Psirri neighborhood, Athens, Greece


Pittaki St., Psirri neighbourhood, Athens, Greece


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2014-08-28

Light installations and urban planning


Even someone ignorant to the intricacies of the art scene -an observant one at least, like myself- can tell that there's been a real renaissance of the arts in Athens and Greece in these past few years. You can see it in the new Greek cinema, with its quirky films, but also in myriads of events / happenings / performances / installations popping up, for a few days or longer in all kinds of places.

A light installation, constructed by the "BeforeLight" group and promoted by the City of Athens, as part of a wider urban renewal project, was put in place in an abandoned, central Athens arcade this summer. Consisting of a series of old neon signs of shops no longer in business, the installation really makes for some urban eye candy and also has the necessary "Greek crisis" element that gives it bonus points for depth and sensitivity, I guess. They've done some more successful projects that this one no doubt.

8-10 Voulis St. The entrance of Stoa Emporon ("Merchants' Arcade")
 "Ariston", an historic snack-food place is located next to the arcade entrance, still operating in full swing!


The "BeforeLight" neon signs installation at Stoa Emporon / 8-10 Voulis St., Athens
The installation is certainly visually pleasing, and it even draws you to enter the now practically abandoned arcade, only meters from Athens central Syntagma Square. 


The "BeforeLight" neon signs installation at Stoa Emporon / 8-10 Voulis St., Athens
However, art alone can be no substitute for planning. The presence of many closed shops around, together with tagged walls, lack of cleanliness and a seemingly eternally "under-construction" building next door, make the area a bit of an eye-shore, despite the large numbers of passers-by. The presence of a homeless man (?) / drug addict (?) at the inner steps of a building inside the arcade was enough to keep me at bay.

A homeless man ? / drug addict? inside Stoa Emporon / 8-10 Voulis St., Athens, Greece


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2014-07-15

Impressions from the Benaki Museum

The Benaki Museum is one of the most central and historic museums in Athens; the first private foundation of its kind, whose operation started in 1930 in what is its current "central building", on Vasilissis Sofias Avenue. Every time I think of the central building, the words of a knowledgeable English acquaintance come to mind: "It's nice but it's a private collection; not a Museum!". I can't be the judge of this aphorism but what I can tell you for sure is that it has managed to garner the respect of most art lovers and private collectors in Greece, who often choose to make donations to the museum, thus expanding its reach. Recently it has embarked on a networking mission, with famous museums around the world. There are currently 8 different buildings, in various Athens locations, housing different types of collections. This post is from a recent visit in the central building (1 Koumpari St. & Vasilissis Sofias Ave.), which houses a collection of artifacts covering the whole range of Greek history, from pre-historic times to modern day Greece. The accompanying legends under each showcase are in Greek and English.
 
The neoclassical mansion housing the Benaki Museum, at Leoforos Vassilissis Sofias & 1 Koumbari St., Athens, Greece
Showcase in the ground floor of the Benaki Museum, with ancient Greek helmets (around 5th cent. BC)
Interior view of the mansion housing the Benaki Museum - ground floor

The first 8 rooms of the ground floor quickly cover the period from prehistory to late Roman times. This is the period that is covered by other museums (National Archaeological, Acropolis and Goulandris Museum of Cycladic Art) in immensely greater detail. Rooms 9-12 cover the Byzantine Empire and early post-Byzantine times, with some wonderful religious paintings of the Cretan School (whose most well-known child is Domenicos Theotokopoulos, a.k.a. El Greco).


Post-Byzantine painting of St. Nicholas, at the Benaki Museum, Athens, Greece
The 1st floor deals with late post-Byzantine times as well as the "period of foreign domination" (~14th-18th century) which, for most of the Greek areas, meant Ottoman rule. This is where the Museum truly begins to shine, housing an impressive collection of folk art from Greeks of all walks of life and geographical latitudes.
 
The reconstructed interior of a traditional Greek house

A large, beautifully painted, wooden chest from Mytilene. Above it, the painted wooden chest top reminiscent of Chinese art, actually portrays women in traditional clothes from Samos island.

One of several porcelaine plates; this one in honor of Greece's royal couple; King George I and Queen Olga. The inscription reads: "Married on 15 October 1867 [old calendar date] - God Save the Royal Couple" and the circles around name various geographic areas, several of which were not part of the Greek State at the time.

The, smaller, 2nd floor presents paintings and collectibles from the period just before the Greek war of independence (1821), with special focus on the nautical tradition of Greece. It also houses a temporary exhibition space and a very nice roof garden cafeteria / restaurant with views towards the National Garden right across the street.
 
Detail from a 1794 icon, by painter Abraham, titled "The Last Judgment", with little devils poking the sinners!

The temporary exhibition currently on display (till 31 August 2014) is "Tobacco: 101 notes on oriental tobacco" and presents the story of the tobacco cultivation and trade in Greece in the last two centuries with various interesting posters and exhibits, even for an avid non-smoker like myself. Many a Greek poems have been written on cigarette packs, and the ones below belonged to famous poet Yiannis Ritsos.
Many a Greek poems have been written on cigarette packs, and the ones below belonged to famous poet Yiannis Ritsos.


Finally, the 3rd floor houses artifacts and paintings from the Greek Revolution of 1821 and the formation of the modern Greek state. I was mostly impressed with the paintings collection. The paintings found here are the originals of images presented in every Greek history school book, engrained in the collective minds of Greeks of all ages, depicting the heroes of the Greek revolution and the first statesmen of the modern Greek State.

Well, well... if it ain't old Vladimir Putin! Actually, that's a portrait of "The General Thanassoulas Valtinos (1802-1870)"

 
This oil painting by Belgian Henri Decaisne is one of the few paintings that I did not recognize from Greek history school-books. Probably because it depicts a "Failed Military Operation", at the time that the Greek revolution had almost failed (1826), only to be saved later by the intervention of the Great Powers of the time.
Last but not least, you may search the archives of the Benaki Museum -paintings included- through this handy search page, even after your visit. For opening hours and more practical info check out my "Athens Museums" page.



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